Originally produced for Tim Sweeny’s ‘Beats in Space’ radio show the title track was heard in one of J.T.C’s DJ sets during a night out in Berlin and was signed to Shaddock on the spot. Heavy on the synths with a stirring bass-line and a driving 808, ‘Beats In Space’ is destined to shake-up every dance-floor.

Stepping up for his first ever remix duty is no other than Madteo of Meakusma, Workshop or Joy Orbison’s Hinge Finger fame, who added his unique signature of twisted, hypnotic left-field house, aptly titling his re-work 'Mad in Space’.

On the flip J.T.C showcases his more melodic side as well as his versatility as a producer. ‘The First Night Cycle’, feat. Ellis Monk is a metabolic track clocking in at eight minutes developing over time, all the while under-laid with James T. Cotton’s ceaseless heavy grooves.

‘Love Canopy And Vessels’ finishes this little gem in the best Detroit/ Chicago house fashion.

Kassem Mosse can do no wrong, and continues his hot streak here with a stunning slow-mo refit. As with all of Mosse’s best work there is no easy pay-off, just a simmering half time shuffle: he slows the bass and tempo but raises the temperature slowly and steadily, creating a steamy tropical fug with organic percussive sounds and snaky shimmers.

B-side cut “Without You” simultaneously hushes and rushes, with urgent whispers and knife’s edge strings. This floor-driven house number emerges from gusts of crowd noises and cascades of gleaming harps, charging forwards through layered loops, and erupting at its peak into neon cosmic synths.

“Monologue” moves within more recognisable house tropes, but its malleable bassline and chorus of breath sounds and snatched words ensure that it stands out as a prime example of sleek deep-tech-house.